During the second workshop with Richard Sweeney I was taught new simple techniques which create emphasis and texture. We were this time allowed to remove large pieces from the paper and use adhesive to join edges.
First attempt:
The concept behind this technique was pushing each fold different ways to create this 'dipping' appearance. I feel this technique could become useful towards my final sculpture due to the angular appearance presented. Perhaps could be used when twisted.
Second attempt:
Following the same principle as the first attempt, I decided to incorporate a texture to the paper and enlarge the size. I like how here the repeated pattern is not the shape, however, the simple folds given the paper to provide a texture. By doing so it has enabled emphasis to each edge and how they are bent. The photograph, I believe, has given this idea a more exaggerated and elegant feel.
Third attempt:
Looking closer at using folds to create texture in the paper i discovered a fondness to the method. Each crease softens the piece which I believe will be a beneficial concept when interpreting the repeated forms in the texture of a pine cone.
Fourth attempt:
Here I chose to test triangular shapes folded into the paper to see what feeling it produced. This piece reminds me of some of the plant research I looked into, particularly the leaves; however, appears to simple and structured for my desired outcome. Pine cones tend to present repeat randomly. I feel the appearance is to planned and perhaps too elegant to illustrate the repeat I concluded.
Fifth attempt:
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